So far, only seven hip hop records have reached the Diamond status that signifies 10 million certified album units sold in the US.
Dre, while having many other accolades imaginable, are yet to reach this milestone in their careers. To an entire subset of the audience who hung on his every word — he essentially was hip-hop. Amidst all of the fanfare, Marshall Mathers found himself saddled with controversy on all sides. Read the article in full on the HotNewHipHop website. To improve your experience in interacting with our website we use cookies.
You always can change your preferences in the browser settings. Good production, though. An expert collection of Adult Contemporary super-competence, its degree placidness is broken only by the mega-ballad you already knew from Titanic and the song where Celine tries her hand at dancehall for some reason. Carl Wilson wrote a great book about it; that and the Bee Gees and Babs duets may be all you really need to take away from this one. The least-likely blockbuster LP of the TRL era, with a thenyear-old Carlos Santana riding two Hot topping, big-name-featuring smashes to sales that not even Britney and Backstreet could match.
Britney Spears. Kicking off the second possibly third? Metal sans metal, far more enamored with Bruce Springsteen than Bruce Dickinson, and much better and muuuuch more successful for it.
A solid power-pop album -- just one whose genial frat-rock veneer blankets any underlying urgency or desperation. Regardless of your feelings about young Robert James Ritchie, how many artists can say they were instrumental in the rise of both nu-metal and Auto-Tune? Making you sit through four Hans Zimmer instrumentals in between the two sets is pretty low, though. Strewn with AOR classics, no doubt, but for a band who's become close to synonymous with overblown stadium rock, you might be surprised by how frisky this set is -- whether REO is mixing power pop with Bo Diddley on "Don't Let Him Go," or throwing back to the girl group era with falsetto to match!
Jazzy enough to be released on Blue Note records, Come Away With Me hardly fits the usual bill as a Diamond album, but became enough of a sensation for its smooth sailing that it swept the Grammys and sold eight digits.
A stirred-up cauldron of Wagner, Spector and Andrew Lloyd Webber whose brew was potent enough to make an overweight, overzealous theater kid a rock god for at least one album. Kenny G songs. The S. A staggering amount of the next 40 years of rock music can be traced back here in some way.
Louis Blues hat. Ten was the sound of a grunge-era Seattle band that actually wanted to still be around a quarter-century later, and was willing to create the songs to merit such longevity.
The least fun that becoming the biggest band in the world has ever sounded, a mess of existential banality, contorted metaphors and vaguely hellish riffs. The national introduction of spunk-punk superstar Gwen Stefani could do with 10 percent less bloat and 20 percent less self-seriousness, certainly.
More self-aware than Marshall Mathers , if not necessarily funnier: Eminem's third act asked that you finally pay some attention to the man behind the curtain. A record five Hot No. Jagged Little Pill may be the most undeniably human album to ever sell eight digits; a pigeonhole-proof statement from an artist who broke out with the bloodiest post-breakup anthem ever inspired by a Full House alum, and who turned her schizophrenic creativity into one of the cuddliest videos of the decade.
Taylor earned the title of her sophomore blockbuster with a collection of still-country-leaning pop-rock treasure maps that alternately engaged and disavowed her adolescent fantasies, playing the everygirl without obscuring the cunning and brilliance that allowed her to achieve a peerless level of self-realized success for an artist her age.
Which isn't to say Fearless is a guile-over-substance exercise, either: "Fifteen" and "Forever and Always" plumb the depths of high-school heartbreak from outside and in with equal devastation, while the sauntering "Hey Stephen" and stadium-aimed "You Belong Me" take wildly different routes towards proving that unrequited crushes don't need happy endings to be feel-good stories. No blistering collection of paeans to youthful aimlessness has ever ended up foisting such a sense of purpose on a band — within a decade of Dookie conquering suburban America, Green Day were making rock operas protesting the Bush Administration.
Nonetheless, it was dope enough to get sampled by both N. The album that cemented Zeppelin as the band that all future rock bands would at some point want to be; the quartet should get a yearly stipend from Sam Ash and Guitar Center. The Beatles, Sgt. No LP opened up more possibilities for the format than Sgt. Pepper -- an album of dubious conceptual coherence but obvious sonic fluency, with peaks and valleys and an epic climax that remains unmatched in rock history.
Life After Death posthumously turned the Notorious B. The country-pop crossover album that even made Garth sound like Steve Earle with its Mutt Lange-blessed largesse. I Feel Like a Woman!
Recently celebrating its 40th birthday and taken out on tour by its composer a couple years back, Songs in the Key of Life has the essential vitality to always bubble back up to the forefront of discussion. An EMP of negative energy unleashed by one man on his wife, his mother, his label, his fans, and -- last and absolutely least -- himself. The Marshall Mathers LP might stand as the last album to really make parents feel like one artist could single-handedly bring about the end of Western Civilization, and Eminem made his apocalyptic case with humor, hooks, and some of the most creative wordplay hip-hop has ever seen, creating a savage and frequently inexcusable masterpiece of not giving a f Your favorite song will never be the same from listen-to-listen, nor will your least favorite, but the overall stew is so rich that at a certain point you stop comparing bites anyway.
Sure, the six Bee Gees songs are all beyond-classic, but Saturday Night Fever endures as the definitive document of the disco era and ranks way higher here than Bodyguard because of how superlative the rest of it is, too. A soundtrack that actually makes for a more coherent cinematic experience than the film it accompanies, Purple Rain is certainly in contention for the most perfect album in rock or pop history, expertly flowing from track to track while delighting, surprising and astounding at each bend.
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